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For a story about a groundbreaking mathematical proof, Proof had virtually zero math in it. If you ask me, that’s a good thing. Let me put my review in the form of a mathematical equation, though. (Because I can. Yes, I know it’s a cheap thrill and there’s no real point to it, but it makes me happy, and that’s what’s important. Go ahead; sit there and mock, you cowards who won’t even comment.) ([tag]Gwyneth . . . → Read More: Review: Proof Quick, think of all those movies from the ’60s. The fun ones. The ones with energy that just kept going. Fast dialogue. Bold colors. Doris Day. Frankie and Annette. Tony Randall. Outdoor locations filmed indoors (and you could easily tell). Now think of the television shows of that time. Ed Sullivan and variety shows. “What’s my secret”-type game shows. Now smoosh them all together in one movie that, on the surface, talks about feminism, gender . . . → Read More: Review: Down with Love This weekend I saw Spider-Man 3. Before I got to the theater, I’d been hearing all week from critics and friends that it was “okay” or it “wasn’t as good as the other two.” Some people went so far as to totally bash it. I tried not to listen. I wanted to go in with only my own fears and expectations about whether director Sam Raimi and his team could pull off the tri-fecta. Let’s . . . → Read More: Review: The Spider-Man Trilogy |
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