This is one of those stories that I think would work well as a TV series. It would be a bit different than most series, in that it covers two time periods at once, but that’s part of what makes it compelling. The basic structure of an issue is that it starts in the past, and then moves into the present.
The story in the past covers the origin and selected high points of Mitchell Hundred’s career as “The Great Machine” – a flawed superhero with the ability to listen to and command machinery. For example, he can command a gun not to fire, a truck to drive away, or a bomb to not explode (for a while). He can have a cell phone tell him where it’s been… or tell it to shut-up. We see the “accident” that gives him this power, and watch as he learns to fight crimes, petty and large. We meet his nemesis, Pherson, who has the ability to command animals (excluding humans), and uses this power to cause destruction and death. And we see him in his final act as The Great Machine: stopping one of the planes on 9/11.
Each story in the past, however, quickly gives way to (and informs the plot of) the present. Mitchell has parlayed the popularity of his time as The Great Machine into a run as the mayor of New York City. Here we see him dealing with many social and political issues, intertwined with resurfacing issues from his super-heroic past. He’s vowed to put his past behind him, but can he ignore the ramifications of what he’s learning about himself and the true source of his power?
The government is watching him. His police commissioner is watching him. One of his ex-partners wants him back on the job as a super-hero, even if that means destroying his political career. The other will protect him with his life. He’s having dreams of his future – and visions of pain.
Can he single-handedly stop the destruction of the world, or is he fated to be the architect of its demise? Or maybe it’s somewhere in between?
It’s pretty cool stuff!
Color plays an important role in the books. Those gifted with powers are scarred by lines on their faces that look like wire leads. Mitchell’s scars glow green. Pherson’s glow purple. White plays an important role later. Each color is part of the spectrum of control. Green for control over machines, purple for animals, white for … well, that’s a spoiler.
Even the final word in the entire series is a color: black. And it’s layered with self-reference, not to mention a kind of breach of the “fourth wall.”
Really well done. I recommend it as one of the better comics I’ve read. It’s for adults, though – graphic language, themes, violence, and visuals do appear. This one isn’t for kids. The themes explored about the nature of corruption and man’s motivations, hero worship and disappointment are pretty seriously tackled. (For more, with spoilers, about that, check out the view “from the gutter.”)
If you want to see Issue #1, DC Comics has made it available online.
Have you read it? Any thoughts?
(Btw… just because I avoid spoilers in the post doesn’t mean they aren’t in the comments.)Tags: brian vaughn, Comics, ex machina, New York, superhero