Caddickisms

My thoughts on everything

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An invasion of armies can be resisted, but not an idea whose time has come.
March 10th, 2008

Heroes?

Hero - it’s a nice boy notion that the real world’s gonna destroy.
- Steve Taylor

In the last couple of days I’ve seen two blog entries from totally unrelated blogs about “heroes”. Not the TV show, actual heroes. Our personal heroes. There’s another blog that brings up heroes too, but in a completely different way.

The first two blogs are beingfrugal.net and cpyu.org (you may have to scroll to the 3/4/2008 entry). The third (Quit Your Day Job) mentions a documentary about the lives of people who are attempting to make a living by dressing as superheroes on the streets of Hollywood for photos.

To quickly deal with the third entry here, it looks like an interesting movie. These people are basically pan-handling and there is something intriguing in seeing how they justify their life to themselves and others. It’s a bit more interesting to see that they’ve chosen superheroes - essentially savior figures - as their method of survival. How much of their character’s persona leak into their real life? Are they happy with their situation (it doesn’t appear so from the trailer)? Are they doing anything to escape that situation? Do they even see any of the options they have? It could be a moving story.

The other two blogs focus on personal heroes. People who inspire us. People whom we respect. I like what Walt says on his CPYU blog:

If you asked me to write down a list of my heroes I’d stumble a bit. I had heroes when I was a kid. … I suppose that as an adult I don’t often use the word hero. Instead, I talk about people that I respect and admire.

I’d agree with that (and actually, Walt is one of those people for me). It’s interesting that both of those blogs move away from the typical definition of a hero as someone to idolize.

Anyone who knows me knows I’m a fan of superhero stories. Superman, Spider-Man, Batman, and others are great reading/viewing, and (as with many fictional characters) can be inspiring and can teach some great lessons. They’re also great escape-ism. But they are fiction and ultimately are simply a figment of imagination. Many kids look to sports figures as their heroes. There is ample evidence (especially with the recent revelations of drugs in sports) of the failure of those athletes to be worthy of the title “hero”.

The lines of a song from the 80’s keep coming to mind: “Hero - it’s a nice boy notion that the real world’s gonna destroy” (Steve Taylor: “Hero” [see below*]). Earthly heroes will always fail.

Now, that’s not to say that there aren’t people to be looked up to - to be respected and admired. It’s just to be aware that people will fail so be sure you aren’t moving from admiration to worship or idolatry. (For what it’s worth, I believe the authors of those two blogs have that concept down.) As a parent, I think it’s extremely important to make that point to my kids. That’s not an issue yet for me — my kids are too young to have to deal with this — but it’s something that will, at some point, need to be taught.


*for those of you who thought this was going to be about the TV show “Heroes”, here’s a YouTube video that uses clips from the show against Steve Taylor’s song (and here are the lyrics):

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February 12th, 2008

Send In The Clones!!!!

Star Wars: The Clone Wars | Star Wars: The Clone Wars In Theaters and on Television in 2008

The Clone Wars animated series is going to start with a theatrical release!

Anakin and his padawan

This is great news. To be honest, it’ll be a little weird to see an animated Star Wars on the big screen, and it’s a bit of an odd idea to launch a TV show with a theatrical pilot (though there will be a TV pilot, too), but if any franchise can pull that off, it’d be Star Wars.

The theatrical release will be on August 15th, followed by the TV debut on Cartoon Network (and TNT) in the fall.

On the front lines of an intergalactic struggle between good and evil, fans young and old will join such favorite characters as Anakin Skywalker, Obi-Wan Kenobi and Padmé Amidala, along with brand-new heroes like Anakin’s padawan learner, Ahsoka. Sinister villains — led by Darth Sidious, Count Dooku and General Grievous — are poised to rule the galaxy. Stakes are high, and the fate of the Star Wars universe rests in the hands of the daring Jedi Knights. Their exploits lead to the action-packed battles and astonishing new revelations that fill Star Wars: The Clone Wars.

For some nice shots and behind-the-scenes info, check out this starwars.com video.

And for good measure… here’s the Sneak Peek released a while back.

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December 20th, 2007

NBC Universal nailing the coffin shut on Sci-Fi

I don’t understand. NBC Universal is canceling three of the best Sci-Fi shows in recent memory. Journeyman, The 4400, and The Dead Zone are all goners.

What’s the deal?! All three of those shows were good and getting better!

The last I heard, there was talk of giving The Dead Zone a final 7th season to wrap everything up, and it certainly looked like the stories were headed in that direction.

The 4400 looked like it was gearing up for a killer season, based on last season’s finale. That was one show that I carved out time to watch live almost every week!

Journeyman…. I’m so annoyed about that it’s not even funny. The decision to axe the other shows is, in my opinion, incredibly stupid, but at least they had a chance and gave it a good run. Journeyman was slashed with virtually no support at all.

To be fair, Heroes is still around, and despite a less than stellar season, I think that’s a good decision. That was probably right on the edge of the chopping block, too, though.

Network executives need to get a clue about supporting stories that take more than 30 minutes to develop. All of these shows had overarching plots that were headed for some serious revelations and need time to set up (or resolve, in the case of DZ and 4400).

SG-1 is gone… 4400 is gone… Battlestar is almost gone… what the heck am I supposed to watch this year?

Slice of SciFi has a good post about this:

From the way NBC Universal has been operating of late by cancelling “The Dresden Files,” “Journeyman,” “The 4400,” and now “Dead Zone,” it almost looks like upper management at the company is seeing genre-related products as harbingers of leprosy or some other highly dreaded disease. Their other owned and operated cable station, The SCI FI Channel has even begun showing less sci-fi and has leaned more heavily on the fantasy and horror genre, or non-genre programming such as wrestling, and so-called reality programming such as “Ghost Hunters,” “Who Wants To Be a Superhero” and “Destination Truth.”

Currently the only SF shows that have survived NBC Universal’s axe are “Medium,” “Chuck,” “Heroes,” and possibly “Bionic Woman,” however, it wouldn’t be too surprising to not see “Bionic” make a return trip to the NBC network.

IMO, Medium is really a detective show, not so much a sci-fi show. In the same sense, Chuck is only a sci-fi show in that it’s main character has a gimmick (good show, but only tangentially sci-fi). Bionic Woman, sadly, probably deserves to be axed. They’re trying, but it’s not coming together, honestly. I give them credit though, in that they are attempting to show the effect of having this new ability and role on her life and her family.

We had a couple good years lately of some pretty high-quality sci-fi shows, but it looks like that’s all going down the tubes pretty quickly. It’s back to crap-TV apparently, for the foreseeable future.

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December 19th, 2007

Trailer: Hancock

Quicktime trailerI post this in remembrance of a hapless rabbit in a very early Simpsons episode. (Mike, you’ll know exactly the scene I’m talking about when you reach the end of this trailer.)

Click through the link above and watch the trailer for Will Smith’s new superhero comedy, due out in summer 2008.

I feel bad for the guys in that boat…

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November 23rd, 2007

NBC is sharpening its axe

Two incredible shows are currently on the edge of cancellation, if reports are to be believed, and NBC seems to be saying that they won’t even air episodes that were already produced. In the face of a dearth of available programming due to the writer’s strike, this just seems to me to be one of the most boneheaded things I’ve ever heard. Even if you’re not particularly in favor of the show, if you’ve got nothing else to show, why not let it play out?! 

Neither of these shows have technically been canceled yet, but read on (and through the links) for more on each.

NBC gives Journeyman two weeks notice - From Inside the Box - Zap2it

Were hearing that the next two weeks are crucial for NBCs Journeyman. While nothing official has been decided, the rumor is that if the Nielsen numbers dont rise for the Nov. 19 and 26 episodes, the network will yank the show, without airing all the episodes produced.

Things could be looking bad for future of BSG

…there’s a real possiblility NBC Universal would just opt out of the final episodes of “Galactica.” With a declining ratings and higher production costs, to re-start a show for ten episodes to please what is percieved as a niche audience might not make sense to the network brass. The long hiatus for “Galactica” haven’t helped things since the show has gone off the general public’s radar screen.

For Journeyman, one of the best new shows this year, if not the best, it seems that if you know anyone who is a Nielsen family, you’ll need to break into their house at 10pm on Monday and force them to watch this show at gunpoint - because unless I misunderstand the ratings system, if you don’t have a box, you don’t count. Journeyman seems to have been hurt by the sagging ratings of Heroes this season. Given the promise to up the ante on that show, the apology from Tim Kring, and the way it played out the last two weeks, I gotta think that’s on the upswing, so it would, again, be a bonehead move to not give that established show the chance to bring bigger ratings in to help Journeyman.

For Battlestar Galactica…. their biggest mistake was imposing a year long hiatus to begin with. It’s just plain cruelty to put together such a quality show with a full, intelligent storyline, and then drop it in its advertised final season without coming to conclusion. BONEHEAD!

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September 25th, 2007

Initial thoughts - Premiere week pt 1

I’ll be jotting down my initial thoughts of the shows I watch that premiere this week.

Tonight, I intended to watch the NBC shows Chuck, Heroes, and Journeyman. I missed Chuck, but taped it so I may comment on it later.

Heroes: I loved season 1. This episode had a hard job in picking up and reintroducing a large cast of characters, plus adding new ones. As a result, this would likely have confused anyone not already familiar with the show. However, my thoughts were:

  • how the heck is Nathan alive?
  • I really want to know more about Hiro’s father’s powers. Very disappointed in how that seems to be turning out.
  • I’m intrigued.

Journeyman: I love time travel stories. My thoughts:

  • Somebody should fire the sound mixer. Half the time I couldn’t make out the conversations because of competing sounds or music.
  • Mostly bored for the first 25 minutes.
  • Totally got my interest when Olivia showed up in the hallway. Unfortunately I couldn’t make out everything she said to him in the stupid stairwell!
  • Looks like they might throw in some conspiracy stuff.
  • Not an incredibly strong premiere, but good enough to get me in for a few more episodes.

Next up: catch up on Chuck, then on to Bionic Woman on Wednesday.

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August 19th, 2007

An attache case, an underground government, and a Spider-Man on the edge

I’m reading a lot more comics/graphic novels now than I ever have. Sadly, that’s not saying much, since I only read individual unconnected issues at a time - I never really read a full storyline until a year or so ago, save for one or two “special occasions.”

Now, though, I’m borrowing stuff from a few friends’ collections, and I’m loving it. I’m reading a pretty wide variety of stuff (standard superhero fare, TV show spinoffs, Stephen King, and a couple of “difficult to categorize” books). There are some definite standouts, and that’s where I want to focus here.

When I think about the series’ that I’m reading, there are three that I plow through almost immediately, and for which I can’t wait for the next installment: 100 Bullets, Fables, and The Amazing Spider-Man.

Spider-Man is the most fun, because it’s a character I grew up with and love in all incarnations. The current story (Back in Black) is painting a darker Peter Parker, driven to revenge when his Aunt May takes a bullet meant for him. Spidey lets loose almost completely in this and there’s only one or two issues left, which I’m salivating to read. Good stuff. J. Michael Straczynski, of Babylon 5 fame, is writing this series, following on the heels of Marvel’s Civil War series (also excellent), and I think he’s doing a terrific job.

The other two series are just phenomenal, but in different ways. There are no ’super-heroes’ per-se, in either series. Both are thoroughly ensemble pieces, though a couple characters stand out in each.

100 Bullets is a dark, complex, conspiracy and con-men driven story, ultimately about the formation and future of the United States and the small group of people who are really in charge (and they aren’t in the government). There are mysteries layered upon mysteries, incredibly smart writing, surprises at every corner, and (especially in the later issues) action rivaling some of the biggest Hollywood blockbusters. Others have said it before and I’ll echo the sentiment: this series elevates graphic novels to a new level, equal to some of the best crime fiction out there.

The other series in the upper echelons of my reading list, that is just as engrossing as 100 Bullets, is Fables. The premise is that the characters in the fables we all grew up with (Snow White, Cinderella, Old King Cole, The Big Bad Wolf, the Three Little Pigs, Goldilocks, etc.) were driven from their homelands by an unnamed ferocious enemy and many of them escaped to our world centuries ago and are living among us, primarily centered in New York City. It’s not nearly as dark as 100 Bullets, but it’s also very smart, and it has an overarching story that is just as compelling. The difference, to me, is that while I am spurred by the writing and mysteries of both stories, I care about the individual characters of Fables, while in 100 Bullets I just have to know what happens next. The story and writing alone keep me coming back for 100 Bullets, but the interweaving of the characters with the story, and its ability to make me really care what happens to individuals is what keeps me hooked on Fables. I just finished book 4, where the first attack of “the adversary” in the “mundy” world has just occurred, and I can’t wait to get to book 5. The opening issue of book 4, recalling the last stand of the escaping fables in the “homelands” surprised me with its emotional power. It really elevated the whole thing to a new level for me.

Neither of these last two series are for young audiences, but for mature readers, there’s not much better out there. Don’t get me wrong… there’s some great stuff out there, but these are at the top of my must-read list at the moment.

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May 15th, 2007

Review: The Spider-Man Trilogy

This weekend I saw Spider-Man 3. Before I got to the theater, I’d been hearing all week from critics and friends that it was “okay” or it “wasn’t as good as the other two.” Some people went so far as to totally bash it. I tried not to listen. I wanted to go in with only my own fears and expectations about whether director Sam Raimi and his team could pull off the tri-fecta.

Spider-ManLet’s face it: this movie had a lot to live up to. The first two movies were unqualified successes by any measure. It could be (and has been) argued that Spider-Man single-handedly brought back the super-hero movie and embued it with a sense of quality that hasn’t been seen since Superman in 1978 (okay, by today’s standards Superman was a bit campy in parts, but in its day it blew your socks off - and if you ignore the campy bits, it still does). Then, by virtually all accounts, Spider-Man 2 equalled or surpassed that quality (it had been years since I’d left a theater with my jaw hanging that wide open—as impressed as I was by the success of Spider-Man, I never imagined they could up the ante for number two). The release date for the third movie was announced before the second even opened, and there wasn’t even a script. Audience anticipation, and the pressure on the film’s creators, approached Star Wars levels.

Spider-Man 2Personally, my anticipation was as high as anyone’s. I couldn’t wait for the next installment. But then I heard the news: they were going to have two villains. My anticipation levels dropped a bit. From a writer’s perspective, the more primary characters you have, the more difficult it is to write a quality story that fits into two hours. It’s hard to fit that many relationships into that time with a deep sense of quality. Then I heard that the rumor was wrong—there weren’t two villains, there were three! My anticipation dropped like a rock. All I could picture was Batman and Robin, the film that almost single-handedly killed the super-hero movie.

Then I heard one of the villains was Venom. Big burst of hope. My favorite Spidey bad-guy. Then I saw some footage. Another big burst of hope. It looked amazing. I was still worried about trying to shoehorn too much in to one film, but anticipation was almost back to original levels.

Spider-Man 3So, did it meet my expectations? Sadly, no. But it didn’t miss by much, and that’s saying a lot. It wasn’t an improvement on the previous two films, but I still put it head-and-shoulders above most other movies of its type (especially sequels). It had the drama and character development I expect from Spider-Man films. It certainly had the top-notch effects. Lots of action, which was good, but they stumbled a little bit there; maybe it was my seat (I was forced to sit very close to the screen and off-center), but I had a hard time following all the action at times—especially during the first fight scene in the alley. I think they were using too many “hand-held” shots and tight framing for my taste. The same kind of thing that put me off in The Bourne Supremacy, though nowhere near the same levels.

The only scene that I can say really felt out of place, though it was still used well to tell the story, was the dance at the Jazz club. I just couldn’t get my heart into that one.

I did like the Saturday Night Fever-ish montage, as it nicely paralleled the “Raindrops Keep Falling on my Head” montage from the second film.

Spider-Man 3Speaking of parallels, this trilogy nicely parallels the ’70s/’80s Superman films.

  • Film #1: Origin story. Recurring villain is introduced as main adversary.
  • Film #2: Hero loses/gives up powers to become normal, but must regain them to save the world.
  • Film #3: Hero gives in to his dark side, with the help of a catalyst. Bad things ensue.

(So obviously we can expect that in Spider-Man 4, he will rid the world of nuclear weapons.)

The fortunate difference between the two trilogies is that the Superman series got progressively worse, whereas the Spider-Man series has only had a slight mis-step in the third film.

My recommendation: see #3 in the theater while you can.

Spider-Man 1: 4.5 stars

Spider-Man 2: 5 stars

Spider-Man 3: 4 stars

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April 14th, 2007

Review: Hero

Dustin Hoffman plays a down-on-his-luck anti-hero who reluctantly saves 54 people from a plane crash, including a news reporter (Geena Davis) whose purse he steals in the process of saving her, before disappearing into the night.

Hero PosterJohn Bubber (Andy Garcia) is the homeless guy who gives Bernie LaPlant (Hoffman) a ride back into the city and becomes the only person to learn the true story of the crash and Bernie’s role. When a million dollars is offered for an interview with the mysterious “Angel of Flight 104″, Bubber steps forward and takes Bernie’s place in the spotlight (and the money). The media turns him into a national celebrity and heroic inspiration to all, while Bernie is forced, through various circumstances, to watch the growth of the pretender’s legacy.

Hero is one of the best movies that no-one seems to have heard of. It’s a well mixed dramatic comedy, with superb acting and a great script. It’s a simple story, really, about flawed humans: characters who can be heroic in one instance and deceptive the next. Plus it’s simply entertaining.

If it didn’t have such a prevalence of unsavory language from the main character, I’d recommend it unreservedly as an uplifting tale about the heroes in all of us.

I also love the poster - it does such a great job of conveying the media view displayed in the movie, and introducing the triumvirate of main characters. And the tag line sums up the movie perfectly:

We’re all heroes if you catch us at the right moment.

To those who can deal with the language, I highly recommend it.

Four and a half stars.

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April 1st, 2007

Heroes Viral Marketing

Hana Gittleman’s “covert” site

This site gives you the chance to join in on the Heroes storyline and become a part of the story. There are links to other websites from the world of the show as well, complete with hidden passwords and dossiers. Fun stuff.

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